Photography by Lindsay Robertson
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Bristle Cone Pine, Methuselah Grove - California

This image was captured some 11,000 feet up atop the Ancient Bristlecone Pine Forest on the White Eastern Sierra mountains.
The abstract shapes combined with the intricate wood grain gives the image an eerie life form look. Something quite alien about the subject and the location, mainly down to it’s remoteness from any other living thing. The deep sky sitting on the rocks creating an unearthly contrast between wood and rock.
This image featured in my joint exhibition with Ansel Adams.


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All prints are produced to order and shipped by
tracked courier in a protective plastic tube to ensure
they arrive safely and in perfect condition.
Please allow 10 -14 working days for production and delivery.

Print Information
Each print is a signed original.
Limited Edition Prints are signed and numbered
and include a certificate of authenticity.
Prints include a 1" white border around the image.

The Collectors Series of Fine Art Prints


The Collectors Series of Fine Art Prints - Prices start at only £125.00 each

' Image is everything, and the Print is the canvas by which photographers exhibit their Art. The Print is not only a work of art but also an object of art.'

Collectible fine-art Photography with museum-level heritage from the portfolios of Lindsay Robertson’s original photographs, these exclusive and individually printed Collectors Series Fine Art Prints are hand crafted to order. Many of these images were on display at Lindsay’s joint exhibition with the master photographer Ansel Adams and are collected Worldwide.

The Collectors Series of Fine Art Prints are true C-Type photographic prints available in a variety of sizes so you are sure to find a print to suit your surroundings, offering collectors an investment in his timeless photographic art designed to be treasured for generations.

The images are printed from extremely high quality scans of the original 10” x 8” and 5” x 4” film negatives, or from the original digital camera files. These images are printed in Lindsay’s digital darkroom using the same painstaking and crafted ’painting with light’ techniques that he utilises to produce his hand printed Museum quality silver gelatin prints in his traditional darkroom.



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